Maybe I have not found the right "digital" crowd yet ) Any help in this area is also greatly appreciated.
Digital skills and artistic ability are not yet greatly appreciated by most of the Fine Art world. The firm I was recommended to for output was Fine Art Impressions, they do mostly VERY high end painted artwork scanning/reproduction.also, as I have talked with many different output houses I get the distinct impression that digital artists are the "bastards" of the art world, as we have no real originals as such, only COA's and signatures/marks to try any give our art supportable value.
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The original is the only piece output to full size, SLTD's being smaller, and unsigned smaller still. I sell originals, signed /numbered limited editions, and some open stock smaller unsigned prints. They all say cdr files often produce problematic and hard to repeat outputs. The main source I want to use is VERY knowledgeable and they want EPS or minimal compression (I set to "0") jpg.
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I see no way to export as a PDF from CorelDraw 12, what settings should I use in EPS export mode fro best results? It's full impact can only be appreciated at full size, so seeing online is just not as impressive, but my only selling tool at present. If you saw my art you would understand (some can be seen at look up Perr Mittelstaedt). Most Postscript printers and RIPs will accept PSD and / or tiff file formats.First, Thanks for all the input! I prefer vector for its mathematical precision. So, based on their output profile, they will recommend a PS profile that is suitable. When the print vendor RIPs your job, they will use their own internal printer profile to output your job. I recommend you consult with the person actually printing your large format job, ask them if they need your file CMYK or can RGB be used and, if so, what profile for either one? Most standard profiles ( the ones that are listed in Photoshop's Color Settings ) are suitable, but again, ask the print vendor. "do I need to tweak the color profiles or will the defaults suffice?" That depends on the printer, type of media used, and the RIP. You could get away with a resolution as low as 72 ppi using some inkjet printers ( if you have to ) or split the difference and use 108 ppi or use max of 144 ppi ( again, depending on the printer itself ). "What resolution should I use?" Again, it depends on the RIP and/or output device ( printer ). Every time you enlarge an image 200% you cut the resolution in half. The challenge for you is getting image sizes up to large format without losing image resolution. Many people in the industry just say "give us image resolution at 300ppi" which is not correct. The symantics of all of the techical information quickly overwhelms the average user. Given that number, image resolution should be 144ppi at final size ( 72 lpi x 2 ). Deep inside the technical literature for this particular printer is the stochastic screening frequency ( 72 lpi ). I used to work with an HPDesignjet5500 large format inkjet printer. CMYK ) depends on the actual output device. A good reference book that explains ( or used to ) levels of gray, printer resolution(s), and image file resolution.
You might want to take a look at Adobe's Print Publishing Guide.
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